In conversation with Aikaterini Gegisian and Fatma Çiftçi

The three-day trip served not only as a testing ground of new ideas but also as a way of understanding how we look at and think about images. While exploring the landscape and searching for evidence of the erosion, we also discussed how we could work together and what such collaboration might entail. I remember that upon our return and looking through our photographic documentation in order to write an initial proposal for a joint project, we paused at a sign written on a wall of a building “There is no God”.